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Media Musings Blog Archive The Kitchen By Ruby Mountford no such thing as bad publicity.
the stream of international outcry that has followed the airing of MasterChef Australia's advertisements how to spot a fake louis vuitton epi alma for their 2013 season, I am starting to suspect Channel Ten have this saying tattooed somewhere private. The 2013 season will adopt the gimmick 'Boys vs Girls', and the ads don't go for the subtle approach when playing up this culinary battle of the sexes. "When a man puts his mind to a job, it always turns out better", one of the members from Team Boys says. "Women are louis vuitton purses knock off better at presentation we're used to grooming ourselves," replies a female contestant labeled Daddy's Little Princess. It's little wonder louis vuitton bags duplicate this commercial has quickly gained an international reputation. Buzzfeed published a quick, image heavy article,New "MasterChef Australia" Ad Is So Sexist, It's Insulting To All Humans. Wrote Michelle Smith for The Age. Enforcingstereotypesis never harmless, and I feel that people who said the ad is just a bit of fun (and had a crack at those hysterical feminists in the same breath) areignorantof the ever growing voice of discontent at having sexism blatantlyand unapologetically thrown in our faces, and the demand for change. Still, for good or ill, MasterChef is now on a lot of lips, so you have to hand it to Channel Ten. Preferably if it is some really putridshellfish. feminism, gender issues, MasterchefDated: May 17 2013 The ridiculous gender stereotypes portrayed in this series don bother me as much as the sheer gimmick of it all. Australian television could win awards for lack louis vuitton alma replica of imagination. Every time one network comes up with a popular show, there a rush to copy the formula, both by the show creators and rival producers. Look at The Block (Channel 9) and House Rules (Channel 7), for example. And why the obsession with contrived, intricately planned, programmes, anyway? Are producers minds too barren to conceive of something original, without the necessity of a starting block? Or are the finance departments pulling all the strings, discouraging new ideas? Whichever the case, there a serious lack of risk taking in Australian television, and we all the poorer for it. Underbelly and The Slap were good starts, but there seems no reason why Australia couldn make shows like Breaking Bad or Game of Thrones, both spectacularly popular and well made. In the end, Australian Television has nowhere near the funding of American studios.
We just don't have the money to create shows like Game of Thrones. And because of both the GEC and online streaming, shows won't get funding past the pilot unless the channel is sure it will make money. Kristen Schaal commented in an interview that lots of studios won't take risks; If the show is a success, then they're considered geniuses but if it's a flop, a lot of people will get fired.
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